Rumori draws directly from the Italian Futurist Luigi Russolo’s visionary impulses in the early 1910's: the Art of Noises and their means of realization, the Intonarumori.
From Russolo's conceptual zone, where there can be found an enthusiastic fervor for primordial elements, a dance of synaesthesia and a romantic glee for the radically creative, Rumori seeks to add in an embrace of past & presence, a poetics of resonance & aura and a bent towards fluid ontologies and rheological aesthetics.